拉玛尼·德瓦苏拉 临床心理学家、心理学教授、作家 拉玛尼·德瓦苏拉博士(Dr Ramani Durvasu-la )是美国加州大学的注册临床心理学家和心理学教授，此外，她还是拥有丰富经验的心理治疗师和多个心理健康协会的专家顾问。 2003年，她被美国大学妇女协会授予“新星学者奖”。2012年，她获得了加州州立大学洛杉矶分校的杰出教授奖。她在人格障碍和心理健康方面的研究得到了美国国立卫生研究院(NationalInstitutes of Health)10年的资助。

史密斯牧师荣获美国华盛顿乔治敦大学（Georgetown University）卫斯理（Wesley）神学院道学硕士、福勒（Fuller）神学院教牧学博士。他是长老会牧师，也是华盛顿特区尼希米差会的负责人。他的工作包括：举办研习会、讲道和研讨会、咨询和写作。 除本书外，他还著有《明白神的旨意》（Knowing God's Will）和《台上台下Easy Talk》等。

Graffman was born in New York City to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. By the age of 20, Gary Graffman had made a na...(展开全部)

Graffman was born in New York City to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. By the age of 20, Gary Graffman had made a na...(展开全部)

Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can. Gerald worries so that Piggie does not have to. Gerald and Piggie are best friends. In Should I Share My Ice Cream? Gerald has a big decision to make. But will he make it in time? Using vocabulary that is perfect for beginning readers (and vetted by an early-learning specialist), Mo Willems h...(展开全部)

莫·威廉斯 Mo Willems 1968年出生于美国新奥尔良州，毕业于纽约大学帝许艺术学院（The Tisch School of the Arts）。为《芝麻街》等许多知名儿童电视节目写过剧本，也创造了许多著名的卡通形象，先后6次获得美国电视艾美奖。2003年开始创作童书，已出版10多本儿童绘本，获得过包括美国凯迪克大奖、美国图书馆协会年度好书奖在内的多项童书大奖。被《纽约时报》誉为“21世纪最突出的新锐作家”（"the biggest new talent to emerge thus far in the 00's"）。 绘本作品有《别让鸽子开巴士！》（2004凯迪克奖银奖）、《古纳什小兔》（2005凯迪克奖银奖）、《古纳什小兔又来了》（2008凯迪克奖银奖）、“小象小猪系列”、 《Leonardo the Terrible Monster》...(展开全部)

In the book, Sheila divorces a husband and forms a fast, intense friendship with a painter named Margaux. Female companionship is a strange experiment for both women, who heretofore related predominantly to men, despite being frustrated by their paternalism. The women’s days are spent talking about art, while Sheila avoids working on a play commissioned by a feminist theatre co...(展开全部)

Toronto-based writer. Sheila Heti, who previously produced a novel (2005’s Ticknor) and short story collection (2002’s The Middle Stories), here fictionalizes actual events and conversations from a year in the lives of her friends to forge a journey of self-discovery for her protagonist.

Toronto-based writer. Sheila Heti, who previously produced a novel (2005’s Ticknor) and short story collection (2002’s The Middle Stories), here fictionalizes actual events and conversations from a year in the lives of her friends to forge a journey of self-discovery for her protagonist.

In the book, Sheila divorces a husband and forms a fast, intense friendship with a painter named Margaux. Female companionship is a strange experiment for both women, who heretofore related predominantly to men, despite being frustrated by their paternalism. The women’s days are spent talking about art, while Sheila avoids working on a play commissioned by a feminist theatre co...(展开全部)